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This post is part of a series: Part 1 | Part 2 | Part 3 This post focuses on how I approach repetition in my music, as well as how I perceive it when working on clients’ music. While this is a very obvious topic for electronic music oriented towards dance, where patterns repeat, I […]
I’ve been wanting to do a series of posts about arrangements because I’m passionate about this aspect of music production, but also because I noticed many of the people I work with struggle with arrangements in their work. There are so many different approaches and techniques to arranging—everyone has their own, and that’s sort of […]
Clarity in mixes is not something people understand or perceive well when they first start mixing, but it’s a magical part of a song that often distinguishes professional mixes from amateur mixes. Clear-sounding mixes instantly grab your attention because they feel precise, open, airy and easy to understand. While clarity in a mix might seem […]
Since interest in electronic music really blossomed in terms of popularity, musicians from different spheres have all tried to capitalize on it. 20 years ago, big musicians in rock, pop, dabbled with it. We saw Madonna and some other bigger names venture into electronic sounds, but they sounded mostly like tourists in a country that […]
“I think we need to go backward now”, is what I said to a friend who was asking what was ahead for the year—referring to a view I had years back about recognizing when it’s time to go with the flow, and when it’s time to reverse or deflect it to move in another direction. […]
As 2019 comes to an end, I’d like to discuss some of the most important things that went on, things I’ve talked about the most, plugins I loved, topics discussed in coaching, and so on. Productivity and Writer’s Block I was pretty busy in the first half of the year. I released my 22nd album […]
I don’t know many people who took theatre in school, or aspired to become an actor or comedian. For me, having a background in theatre has shaped my vision of music, performance, and storytelling. In Québec, we have a “theatre sport” called Improvisation, where teams meet in a rink to create stories and characters, out […]
Recently, I noticed someone on Facebook post something like “why are you guys all making the same track over and over? All the tracks are sounding the same and you’re killing the genre I love.” I think he’s partly right. As a label owner and mastering engineer, I hear a lot of tracks, and many […]
Intensity in music can be a tricky balancing act. In our Facebook group, one member recently asked about how he could improve the intensity and excitement of his tracks. He makes electronic music, and feels that compared to some producers he likes, his music doesn’t match in terms of excitement. After asking him a few […]
In this post, I’d like to explain how making a music sketch can help you to stay on track when creating a song or track, much like how a painter creates an initial sketch of his/her subject. I’ve explained in previous posts that the traditional way of making music goes something like this: Record and […]
If you are familiar with my music, you know I love things complex and busy. Many people in our online community share songs they are currently working on that have a lot of content in them, so I thought it would be practical for me to share what I’ve learned about mixing too many tracks […]
Have you ever been on a dance-floor and heard a track that connects with you in a very physical way? Physical connection creates a sort of energy that is infectious and makes you want to dance until your feet give up. This feeling is all about the groove in a track; creating a groove makes […]
Dawlessness (a word I have just coined) seems to be something that people are quite passionate about at the moment, both for and against. There are popular synth YouTube channels devoted to it (see Dawless Jammin’ with Jade Wii) and some people wear their DAWlessness as a badge of pride (see Look Mum No Computer). […]
Why make music? This simple question might seem like it has an easy answer, but when I was asked recently why I make music, I realized that the more I started thinking about it, the more complex the answer became. Today it can feel like everything in the modern world works against musicians, but the […]
People often say that MIDI controllers are mostly for performing live, but they can also be your studio’s most useful tool. My advice to people who want to invest in gear—especially those who aren’t happy working only on a computer and dream of having tons of synths (modular and such)—is to start with investing in […]
Every now and then I encounter people I work with who have trouble choosing a genre to produce in because they like a wide variety of different genres and have too many ideas. I’ve also experienced this myself in my early years of DJing, and it was a bit of an issue for my sets. […]
I’ve realized that using synths is a bit of an esoteric process for many (for me it definitely was for a while), so I’d like to share with you some synth basics. I used to read things online in-depth about synths, but didn’t feel like it was really helping me do what I wanted to […]