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86

Self-Sabotaging Your Music Career

“I was working on a track and it was going so well; people were leaving me a lot of great comments. I continued working on it for a while but started hating it. I deleted it and blew myself up…I often do.“ In many past posts I’ve mentioned that many people work so much on […]

87

Becoming a professional musician

Back in 2002, I received a government grant for a European tour. For me, this was the beginning of the process of becoming a professional musician. A lot of Canadian arts and music are funded by the government; if you’re organized and a resourceful, you can get funding. I was lucky enough to be one […]

88

Production tips to wrap the year

This year is almost over and I wanted to thank everyone I worked with for trusting my services to give their music an added edge. I think it’s the first year I can feel that I’m finally surfing the waves that took a while to get together, but now things are flowing. This goes for […]

89

Setting up your mix bus

In this post I’ll offer some tips on setting up a mix bus for use in your projects; but first we should clarify what a mix bus actually does. I often see confusion about the definition of a mix bus (not to be confused with the amazing DAW Mixbus by Harrison) and how a mix […]

90

Saturation Tips and Hacks

After presenting some of my favorite EQs and compressors, it would be silly not to also talk about audio saturation which is complementary tool. There’s not a single project I’ve done in the last 10 years where I haven’t used saturation in one way or another; same with mastering. I often compare it to putting […]

91

The EQ and compression combo (Pt. 3)

After going into details with regards to EQ and compression, in this post I’ll cover some practical tips on how they work well together. I’ll try to also clarify why many engineers will tell you that all you need is these two tools to accomplish most of the work in mixing and mastering. Here are […]

92

The best EQ plugins and various EQ’ing tips (Pt. II)

In my previous post regarding the best EQ plugins, I covered some of my favorite EQs and some of their uses. After receiving many compliments about that post, I’ve decided to continue with a part two. In the following post, I’ll share a few tricks with you that you can easily do yourself when facing […]

93

The “sous-chef” experience

I’ve been reading a lot about music arranging lately, mostly to see how the big players in the music industry approach it. It’s not that I love how things are made in that scene, but more because I want to see what I can take in and transpose to what I do. There are major […]

94

My Electronic Music Production Methodology: The Mothership (Part II)

I don’t know if you’re a fan of sci-fi movies, but I am. One thing I really like from those types of movies is alien invasions, where the aliens drop from the sky after jumping from a huge spaceship, where all the bad guys are assembled and dispatched. I apply a similar concept to my […]

95

My Electronic Music Production Methodology (Pt. I)

I’ had been thinking about recently how I should consolidate the many values, observations and principles I share regularly on this blog into a summary of music production methods and methodology. I regularly give feedback in our Facebook group and I find that I’m often repeating myself with regards to certain details and points that […]

96

How to get the right tonal balance for a mix

One of the biggest challenge of finishing a song is to properly adjust the tonal balance. There’s no doubt this part of track-making is puzzling; many people – even experienced producers – are still going to have some issues with tonal balance some days. There are tools and methods to correct tonal balance, but it’s […]

97

Basic tips for writing melodies

In our Facebook group, I was asked to share some tips about writing melodies and how to approach this process while arranging. In electronic music, many artists are self-taught and the concept of music from a melodic and harmonic perspective is often built over intuitive understandings and reading online tutorials, which is helpful, but perhaps […]

98

Alternative music arranging techniques

Music arranging techniques are a topic I’ve been asked about most in the last few weeks. For many people, this is the part of music-making that causes issues. And rightfully so; arranging is all about storytelling. In past posts, I’ve said that even though your sound and production might be awesome, if you have nothing […]

99

How To Reinvent Your Sound

If you’re finding that all your tracks are starting to sound too similar, there are a number of ways you can reinvent your sound. A while back, I wrote an article about how sometimes we feel that our music always ends up sounding the same. I did a test with friends and asked them to […]

100

Playing Electronic Music Live (Part 6, final)

I recently played a live set at StereoBar in Montreal for the launch of my album Returning Home and it was very interesting to create a live set from scratch, following the advice of this series I’ve written over the past few months about playing electronic music live. I’d like to share with you a […]

101

Privacy Policy

audioservices.appwapp.com Privacy Policy Here at audioservices.appwapp.com, data we collect is only used for the items you purchase and the pages you visit on this website alone. We do not resell or store any non-consensual personally identifiable data related to your behaviour on this website. Data we collect In order to deliver you our products and […]

102

Music Goals: Using Signposts instead of Goals

You often hear about setting music goals to keep your drive going and to get you pointed in the right direction. I’ve previously discussed the best ways to set goals and reach them, but as time has gone on, I’m not totally sure if setting goals is still the most efficient way to get yourself […]